Brahms’s A German Requiem

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

CYO

Become a 2018–19 subscriber when you purchase 3 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges.

Calendar

Brahms's A German Requiem

Location

David Geffen Hall

Directions
Price Range

$31-130

Duration

1 hour

No Late Seating
Date & Times

7

Feb, 2019

Thursday, 7:30 PM

8

Feb, 2019

Friday, 2:00 PM

9

Feb, 2019

Saturday, 8:00 PM

Event Info

Jaap van Zweden conducts A German Requiem, Brahms’s moving musical statement about the human condition. On first hearing this work composer-pianist Clara Schumann wrote to Brahms, “I am completely filled with your Requiem,” and rhapsodized over its “profound seriousness, … magic and poetry.”

Program To Include

Brahms

Ein deutsches Requiem

Listen
×
Artists

Jaap van Zweden

Conductor

Jaap van Zweden

Conductor

Jaap van Zweden

Conductor

Conductor Jaap van Zweden has become an international presence on three continents over the past decade. The 2018–19 season marks his first as the 26th Music Director of the New York Philharmonic. He continues as Music Director of the Hong Kong Philharmonic, a post he has held since 2012. Guest engagements this season include the Leipzig Gewandhaus Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Munich Philharmonic, Orchestre de Paris, San Francisco Symphony, and Dallas Symphony Orchestra — where he is Conductor Laureate, having just completed a ten-year tenure as Music Director. He has appeared as guest conductor with many other leading orchestras around the globe, among them the Chicago Symphony Orchestra, The Cleveland Orchestra, Los Angeles Philharmonic, Vienna Philharmonic, Berlin Philharmonic, Orchestre national de France, and London Symphony Orchestra.

In his inaugural season as Music Director of the New York Philharmonic, Jaap van Zweden conducts repertoire ranging from five World Premieres to symphonic cornerstones. He presides over three season pillars — each presenting a World Premiere — that contextualize music through programs complemented by citywide collaborations. Music of Conscience explores composers’ responses to the social issues of their time, with music by Beethoven, Shostakovich, John Corigliano, and David Lang. New York Stories: Threads of Our City looks at musical expressions of the immigrant experience in New York, with music by Julia Wolfe. The Art of Andriessen spotlights the music of Dutch composer Louis Andriessen. Maestro van Zweden also welcomes New Yorkers to Phil the Hall, concerts for community and service professionals; the Annual Free Memorial Day Concert; and the Concerts in the Parks, Presented by Didi and Oscar Schafer.

Jaap van Zweden has made numerous acclaimed recordings, the most recent of which features live New York Philharmonic performances of Beethoven’s Symphonies Nos. 5 and 7, released on CD and for streaming and download in February 2018; this release launched the Philharmonic’s partnership with Decca Gold, Universal Music Group’s newly established U.S. classical music label. In 2018 he completed a four-year project with the Hong Kong Philharmonic, conducting the first-ever performances in Hong Kong of Wagner’s Ring Cycle, which have been recorded and released on Naxos Records. His highly praised performances of Lohengrin, Die Meistersinger von Nürnberg, and Parsifal — the last of which earned him the prestigious Edison Award for Best Opera Recording in 2012 — are available on CD and DVD.

Born in Amsterdam, Jaap van Zweden was appointed at age 19 as the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra. He began his conducting career almost 20 years later, in 1996. He remains Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor from 2005 to 2013, and served as Chief Conductor of the Royal Flanders Orchestra from 2008 to 2011. Jaap van Zweden was named Musical America’s 2012 Conductor of the Year in recognition of his critically acclaimed work as Music Director of the Dallas Symphony Orchestra and as guest conductor with the most prestigious U.S. orchestras.

In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. The Foundation has grown into a multifaceted organization that focuses on the development of children and young adults with autism. The Foundation provides in-home music therapy through a national network of qualified music therapists in The Netherlands; opened the Papageno House in 2015 (with Her Majesty Queen Maxima in attendance) for young adults with autism to live, work, and participate in the community; created a research center at the Papageno House for early diagnosis and treatment of autism and for analyzing the effects of music therapy on autism; develops funding opportunities to support autism programs; and, most recently, launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

Learn more about Jaap van Zweden
×

Ying Fang

Soprano

Ying Fang

Soprano

Ying Fang

Soprano

Soprano Ying Fang’s 2017–18 season includes her Opernhaus Zürich debut as Pamina in Mozart’s The Magic Flute, a return to The Metropolitan Opera as Noémie in Massenet’s Cendrillon, the role of Morgana in Handel’s Alcina with Washington National Opera, and her Vancouver Opera debut as Adina in Donizetti’s L’elisir d’Amore. She performs Schumann’s Paradise and the Peri with the Los Angeles Philharmonic, directed by Peter Sellars and conducted by Gustavo Dudamel; a Carnegie Hall recital with pianist Ken Noda featuring Schubert Lieder; and Mahler’s Symphony No. 4 with the Montclair Orchestra and David Chan. She returns to the Verbier Festival for a solo recital, sings Mahler’s Symphony No. 4 with Christoph Eschenbach, and performs with the Verbier Chamber Ensemble at Schloss Elmau. Previous engagements include The Met, Verbier Festival, Aix-en-Provence Festival, Ravinia Festival, Wolf Trap Opera, Festival d’Avignon, and New World Symphony, with conductors including Colin Davis, William Christie, Jesús López Cobos, and Carlo Rizzi. She has performed at Carnegie Hall, The Kennedy Center, Alice Tully Hall, Aspen Opera Theater Center, and The Juilliard School, and sung with the Chicago, National, and Baltimore symphony orchestras and Saint Paul Chamber Orchestra. Ying Fan’s operatic repertoire includes Mozart’s Don Giovanni, Zaïde, and The Magic Flute; Rossini’s La cambiale di matrimonio and Il viaggio a Reims; Wagner’s Tannhäuser; Verdi’s Falstaff; Britten’s Curlew River; Humperdinck’s Hansel and Gretel; Gluck’s Iphigénie en Aulide; Handel’s Giulio Cesare; and Shostakovich’s The Nose. Recent orchestral engagements include Mahler’s Symphonies Nos. 2 and 4, Orff’s Carmina burana, J.S. Bach’s Wedding Cantata, Villa-Lobos’s Bachiana Brasiliera No. 5, Mendelssohn’s A Midsummer Night’s Dream, Handel’s Silete Venti, and Bernstein’s West Side Story. Ying Fang holds a master’s degree and an artist diploma in opera study from The Juilliard School and a bachelor’s from the Shanghai Conservatory of Music. She was a member of the Metropolitan Opera’s Lindemann Young Artist Development Program.

Learn more about Ying Fang

×

Matthias Goerne

Baritone

Matthias Goerne

Baritone

Matthias Goerne

Baritone

Matthias Goerne is The Mary and James G. Wallach Artist-in-Residence at the New York Philharmonic for the 2018–19 season. In this role, he will appear with the Philharmonic and Music Director Jaap van Zweden in Schubert and Strauss songs, Brahms’s Ein deutsches Requiem, and John Adams’s The Wound-Dresser, and perform chamber music with Philharmonic musicians and pianist Daniil Trifonov. One of the world’s most versatile and internationally sought-after vocalists, he is a frequent guest at renowned festivals and concert halls and has collaborated with the world’s leading orchestras, conductors, and pianists. Born in Weimar, he studied with Hans-Joachim Beyer in Leipzig and, later, with Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau.

Mr. Goerne has appeared on the world’s major opera stages, including The Metropolitan Opera, Madrid’s Teatro Real, Opéra national de Paris, Vienna Staatsoper, and Royal Opera House, Covent Garden. His Wagner roles have included Wolfram (Tannhäuser), Amfortas (Parsifal), Kurwenal (Tristan and Isolde), and Wotan (The Ring). Other notable roles include Orest (Richard Strauss’s Elektra) and Jochanaan (Strauss’s Salome) and the title roles in Bartók’s Bluebeard’s Castle and Berg’s Wozzeck.

His artistry has been documented on numerous recordings, many of which have received prestigious awards, including four Grammy nominations, an ICMA Award, a Gramophone Award, the BBC Music Magazine Vocal Award 2017, and a Diapason d’or arte. After his legendary recordings with Vladimir Ashkenazy and Alfred Brendel for Universal Music, he recorded The Goerne / Schubert Edition, a series of select Schubert songs with eminent pianists, released on 12 CDs for Harmonia Mundi. He has received rave reviews for his latest recordings of Brahms songs with Christoph Eschenbach, Schumann songs with Markus Hinterhäuser, Mahler songs with the BBC Symphony Orchestra, and Wagner arias with the Swedish Radio Symphony Orchestra.

In addition to his New York Philharmonic residency, Matthias Goerne’s 2018–19 season highlights include concerts with the Los Angeles Philharmonic and Pittsburgh and Houston Symphony Orchestras, and with orchestras in Europe and Japan. He appears as Kurwenal in Tristan and Isolde at Opéra national de Paris, and as Amfortas in Parsifal at the Vienna Staatsoper. Song recitals with Daniil Trifonov and Leif Ove Andsnes take him to Berlin’s Philharmonie, Philharmonie de Paris, London’s Wigmore Hall, Barcelona’s Palau de la Música, and other major European venues.

Learn more about Matthias Goerne

×

Concert Chorale of New York
James Bagwell, Director

Concert Chorale of New York
James Bagwell, Director

The Concert Chorale of New York is a group of professional singers that has appeared at the Caramoor Festival in concert versions of Handel’s L’Allegro and Theodora, Britten’s A Midsummer Night’s Dream, and Rossini’s La Cenerentola. Other credits include the Brooklyn Academy of Music productions of Philip Glass’s Civil Wars, John Adams’s Nixon in China and The Death of Klinghoffer, and Purcell’s Dido and Aeneas and Handel’s L’Allegro with the Mark Morris Dance Company. The chorale performed Gilbert & Sullivan at the Performing Arts Center at Purchase; a Haydn, Bach, and Beethoven series; and Live From Lincoln Center’s Emmy-nominated A Salute to the American Musical. The chorale has appeared with American Symphony Orchestra, Chicago Symphony Orchestra, Opera Orchestra of New York, and Judy Collins, and participated in the New York Premiere of Paul McCartney’s Ecce Cor Meum and Rodgers & Hammerstein’s Carousel in concert led by Leonard Slatkin at Carnegie Hall. The ensemble appears regularly at the Mostly Mozart Festival, including in Beethoven’s Choral Fantasy and Ninth Symphony (the latter with Gianandrea Noseda and with Iván Fischer and the Budapest Festival Orchestra), Mozart’s Requiem and Mass in C minor, and Haydn’s Creation with Louis Langrée. For the Lincoln Center Festival it appeared in Julie Taymor’s production of Eliot Goldenthal’s Grendl, Richard Strauss’s Daphne, and Danny Elfman’s Music from the Movies of Tim Burton (the last also televised on Live From Lincoln Center). Last season, CCNY performed all of Bernstein’s choral works, including Chichester Psalms, paired with Beethoven’s Ninth Symphony, with Gustavo Dudamel and the Los Angeles Philharmonic, and Bernstein’s MASS, in addition to Mozart’s Requiem, at Lincoln Center’s Mostly Mozart Festival. The ensemble’s discography includes Lederer & Davis’s Kismet and Wasserman’s Man of La Mancha with Paul Gemignani (CBS Records), Stephen Sondheim’s The Frogs (Nonesuch), and recordings with the American Symphony Orchestra and Opera Orchestra of New York. The men of the chorale were featured on a Pet Shop Boys recording (EMI).

James Bagwell maintains an active international schedule as a conductor of choral, operatic, and orchestral music. In 2015 he was named associate conductor of The Orchestra Now while continuing his role as principal guest conductor of the American Symphony Orchestra. From 2009 to 2015 he was music director of The Collegiate Chorale; highlights of his tenure with the ensemble include conducting rarely performed operas in concert, including Bellini’s Beatrice di Tenda, Rossini’s Moise et Pharaon, and Boito’s Mefistofele. He also conducted the New York Premieres of Philip Glass’s Toltec Symphony and Osvaldo Golijov’s Oceana, both at Carnegie Hall. He has trained choruses for the Boston Symphony, Mostly Mozart, Israel Philharmonic, San Francisco Symphony, Los Angeles Philharmonic, NHK Symphony, St. Petersburg Symphony, Budapest Festival, American Symphony, and Cincinnati Symphony orchestras, as well as the Verbier and Salzburg Festivals. He has prepared choruses with conductors including Andris Nelsons, Gianandrea Noseda, Valery Gergiev, Zubin Mehta, Riccardo Muti, Lorin Maazel, Esa-Pekka Salonen, Michael Tilson Thomas, Louis Langrée, Robert Shaw, and Leonard Slatkin. He is professor of music and director of performance studies at Bard College and Bard College Conservatory of Music.

Learn more about Concert Chorale of New York
James Bagwell, Director

×
×

Purchase 3 or more eligible concerts & save.

About Create Your Own Series:

Pick three (or more) concerts and and enjoy exclusive Subscriber Benefits including unlimited free ticket exchange. Ideal for concertgoers who want the ultimate in flexibility and the benefits of being a subscriber.

Subscriber Benefits:

  • Free, easy ticket exchange (available online or by phone)
  • Save on subscription concerts all year long
  • Priority notice on special events

How it Works:

  1. Look for the Create Your Own Series icon CYO eligible icon next to a concert and add it to your cart.
  2. Simply follow the directions in the shopping cart and enter promo code CREATE3 at check out.
Go to top